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Downlink crippled camel11/12/2022 ![]() Obviously you can argue that that knowledge was valuable to me, and yes it was, but you can learn more about producing electronic music in 2 weeks of watching youtube tutorials and reading the forums, than you can in a year of audio engineering school. What I mean is that I wanted to learn more about producing electronic music, and I ended up learning a lot about engineering and recording and amplifiers and the science behind sound and all this other bullshit that didn't really make me a better producer. Thanks dog! I went to school but honestly it was kind of a waste of money. #Downlink crippled camel how toI've started trying to learn how to produce this year and It's a lot of fun and I'm making progress leaning how to use Reason but would you recommend someone go to a school to learn how to produce or is just learning yourself via the internet and experimentation an adequate way to go about it? Did you go to school or did you teach yourself? JTreeZY wrote:What's up Downlink, love your music. The sugarbytes effectrix "tone delay" function is pretty standard robo stuff. ringshifting, tight reverbs and tight delays, formant modulation, distortion, phasing. No process to making things robotic sounding. It can destroy your sound pretty fast but it also allows you to send it to the bus and not worry too much about overloading the limiter there. camelphat limits the sound a lot so you gotta watch your level going into it. Is there a particular process that you use to start making the bass more metallic and robotic?įirst would be EQ, then Overdrive, then guitar amp, then eq, then maybe ohmicide, then usually more eq and then i get into flange/chorus/phase/ringshift/bitcrush kinda stuff, then usually end it all off with a bit more eq and then a Camelphat with some subtle distortion tube or mech. #Downlink crippled camel PatchIf you are cool about sharing this- when designing a new mid bass sound, what chains of plugins would you place after the core FM8 patch for example? I know it would depend on the sound, but it would be very cool to see what choices you make to change the sound, and the order that you place them in. Host of Villainy 101: Taking Over The Airwaves – A live DJ show on the multi-award winning Villainy 101 has been host to a number of stateside and international DJ/Producers from across the breakbeat community.Noisestorm wrote:Thanks for doing this man! My sets sit somewhere between filthy funkin dirty and omg thats grimey!!! Side of electronic music and keep the 4×4 to a minimum. Now I play a bit of everything! Regardless of tempo I tend to lean towards the broken Originally started off spinning old school jungle and atmospheric DnB. The Inconspicuous villain Has been DJ’ing for 12 years in the state of Florida. The only thing known in definite about him is, he is a DJ! Everything else written here is merely conjecture! There is very little known about the Inconspicuous Villain. – Tony Anthem & Axl Ender – Chosen OneĢ4. – Downlink vs Datsik – Against The MachinesĢ1. – Ill Bill Bachelor & Mr Boogie – Monkey Spankġ8. – Presence Known/ Vista – Move The Earthġ6. Does It Offend You – Wondering (dirtyphonics remix)Ġ7. Xim & Bass – Sorrow (Dub Elements Mix) Ġ4. Inconspicuous Villain, Sarasota, FL, United StatesĠ1. ![]()
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